{"id":6495,"date":"2021-07-23T11:07:51","date_gmt":"2021-07-23T11:07:51","guid":{"rendered":"https:\/\/ibdaa-art.com\/?p=6495"},"modified":"2021-08-07T14:02:32","modified_gmt":"2021-08-07T14:02:32","slug":"one-mans-crusade-to-capture-the-memories-of-an-arab-israeli-town","status":"publish","type":"post","link":"https:\/\/ibdaa-art.com\/he\/6495\/","title":{"rendered":"\u05e7\u05de\u05e4\u05d9\u05d9\u05df \u05e9\u05dc \u05d2\u05d1\u05e8 \u05dc\u05dc\u05db\u05d5\u05d3 \u05d0\u05ea \u05d6\u05d9\u05db\u05e8\u05d5\u05e0\u05d5\u05ea \u05d4\u05e2\u05d9\u05e8 \u05d8\u05de\u05e8\u05d4"},"content":{"rendered":"<p><strong>Salam Diab has spent nearly 20 years building an archive for his hometown of Tamra. His recently released book is both a family album and a vision of hope for Jewish-Arab relations<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><\/li><\/ul>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-1024x1017.jpg\" alt=\"\" class=\"wp-image-6496\" width=\"1080\" height=\"1073\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-1024x1017.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-300x298.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-150x150.jpg 150w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-768x763.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-12x12.jpg 12w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-600x596.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15-100x100.jpg 100w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.15.jpg 1172w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><figcaption><meta charset=\"utf-8\"><strong>The legendary ice-cream vendor of Tamra. Salam Diab tracked the image down in the United States.<\/strong>Credit: From Salam Diab&#8217;s collection<\/figcaption><\/figure><\/div>\n\n\n\n<p><a href=\"https:\/\/www.haaretz.com\/misc\/writers\/WRITER-1.6651878\" target=\"_blank\" rel=\"noopener\"><strong>Shachar May<\/strong><\/a><\/p>\n\n\n\n<p>Get email notification for articles from Shachar MayFollow<\/p>\n\n\n\n<p>Jul. 8, 2021 6:52 PM<\/p>\n\n\n\n<p>One question has always haunted Salam Mounir Diab: While most Jewish Israeli towns, no matter how small, have a museum or archive, his Arab hometown of Tamra has nothing.<\/p>\n\n\n\n<p>Diab, 42, is an artist, photographer and educator who has spent the better part of the last two decades poring over old photos. Beginning from his own photos and those of family and friends, his passion project slowly expanded until it encompassed every resident of Tamra. Today, Diab has gathered some 4,000 images and documents, which tell the story of his town from a variety of historical, social, cultural and political perspectives.<\/p>\n\n\n\n<p>In February, Diab (working with graphic designer Alaa Sammer) published \u201c100 Years of Photography in Tamra.\u201d The book, his third, is divided into seven sections: Architecture and aerial photography;&nbsp;<a href=\"https:\/\/www.haaretz.com\/misc\/tags\/TAG-nakba-1.5599071\" target=\"_blank\" rel=\"noopener\">the Nakba<\/a>&nbsp;\u2013 the Palestinian term for when more than 700,000 Arabs fled or were expelled from their homes during the 1947-49 Israeli War of Independence \u2013 and politics; customs and weddings; family albums and characters; work, jobs and professions; women and children; and sports and education.<\/p>\n\n\n\n<p>Diab explains that these groupings seemed the most natural to him. They allow for side-by-side juxtapositions of different eras, bringing both the linear and cyclical natures of history into clear view. \u201cThere are many things to investigate in the book, or that you discover: customs that have disappeared; how things were; how people acted,\u201d Diab says, his eyes lighting up as he points to a photo of an elderly woman pointing two pistols skyward at a wedding.<\/p>\n\n\n\n<p>He captured the majority of the images digitally, \u201cbecause it was important to me to be faithful to the people, to preserve a sense of trust,\u201d Diab notes. \u201cA photo for many people has enormous value. And so, they\u2019re not willing to give you the photo of their mother or their father because it\u2019s the only copy they have. So, I took care to come to people\u2019s houses, after work, with a laptop and portable scanner and to scan on site. I didn\u2019t want people, God forbid, to think I was trying to steal the pictures from them, their memories \u2013 because I know people preserve their connections through pictures, the connection with their values.\u201d<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.27-1024x686.jpg\" alt=\"\" class=\"wp-image-6497\" width=\"1034\" height=\"694\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.27-1024x686.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.27-300x201.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.27-768x514.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.27-16x12.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.27-600x402.jpg 600w\" sizes=\"(max-width: 1034px) 100vw, 1034px\" \/><figcaption><strong>Salam Diab pointing to one of the photos in his collection recounting 100 years of life in Tamra.&nbsp;<\/strong>Credit: Shachar May<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Was sitting with the families and going through their photos part of your process?<\/em><\/p>\n\n\n\n<p>\u201cI am proud of this. I always used to go for one photo, or two. But I would never leave someone\u2019s house in under two hours,\u201d Diab laughs. \u201cTo my joy, I was able to return people\u2019s photos to them. Someone even told me, \u2018I have no photos of my wedding, how did you find this? I lost it 20 years ago!\u2019 And I told him, \u2018I found it at that guy\u2019s house, but here, now you have a copy in the book, and a digital copy \u2013 let me send it to you on WhatsApp.\u2019\u201d<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.haaretz.com\/opinion\/.premium-looking-the-nakba-dead-in-the-eye-1.9971486\" target=\"_blank\" rel=\"noopener\"><strong>Looking the Nakba dead in the eye<\/strong><\/a><\/li><li><a href=\"https:\/\/www.haaretz.com\/israel-news\/.premium-after-citizenship-law-vote-arabs-in-israel-mostly-concerned-about-families-future-1.9977370\" target=\"_blank\" rel=\"noopener\"><strong>Citizenship Law&#8217;s expiry is &#8216;window of hope&#8217; for Arab Israelis, but a narrow one<\/strong><\/a><\/li><li><a href=\"https:\/\/www.haaretz.com\/opinion\/.premium-a-little-history-lesson-suckers-1.9978461\" target=\"_blank\" rel=\"noopener\"><strong>A little history lesson, suckers<\/strong><\/a><\/li><\/ul>\n\n\n\n<p>\u201cI tried to make, how should I put it, a family album for the people of Tamra,\u201d Diab reflects. \u201cIt\u2019s a source of pride for people to have an album that represents them.\u201d<\/p>\n\n\n\n<p>He points to a photo of a man with a bicycle surrounded by smiling children. \u201cFor example, there was this guy who sold ice cream when there was no refrigeration in Tamra. He would go around with a bike with a box on the front and he would put ice in it. And, you wouldn\u2019t believe it, I found a photo of him in the United States. When I published it online, it was shared more times than any other photo I posted. So many people recognized it, so many people called me saying, \u2018Where\u2019d you get that photo, I want to print it, I want to hang it up at home\u2019 \u2013 as if it was a photo of a great leader, because he left such an impression on the kids.\u201d<\/p>\n\n\n\n<p>Identifying the people in the photos was a communal effort, Diab recounts. As he published photos on social media, residents would recognize their parents or grandparents, their sisters and brothers and friends, discovering hidden connections along the way.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"965\" height=\"1024\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35-965x1024.jpg\" alt=\"\" class=\"wp-image-6500\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35-965x1024.jpg 965w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35-283x300.jpg 283w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35-768x815.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35-11x12.jpg 11w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35-600x636.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.35.jpg 1152w\" sizes=\"(max-width: 965px) 100vw, 965px\" \/><figcaption><strong>The old mosque in Tamra, 1960s<\/strong>Credit: Jamal Suleiman Issa Diab&#8217;s collection<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Nation-building<\/strong><\/p>\n\n\n\n<p>Tamra is a majority Arab Muslim city in Israel\u2019s Galilee region. The northern town\u2019s some 35,000 residents live in a densely crowded urban area that lies atop former farmlands, shaped by decades of Israeli building restrictions, demolitions and rebuilding. \u201cDiab\u201d is the largest and oldest family clan in town, making Salam a natural candidate for the unofficial role of local archivist.<\/p>\n\n\n\n<p>In 1948, with the destruction of nearby Arab villages, many Palestinian residents fled to Tamra, sparking rapid growth and expansion that turned a small, unique village to an urban center. It made a rare appearance in the national headlines in February amid mass protests against crime and violence in Arab society following the shooting death of 22-year-old nursing student Ahmad Musa Hijazi.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"761\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50-1024x761.jpg\" alt=\"\" class=\"wp-image-6503\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50-1024x761.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50-300x223.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50-768x571.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50-16x12.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50-600x446.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.50.jpg 1136w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>A historic demonstration in Tamra against violence and crime in the Arab community during the funeral of Ahmad Musa Hijazi, February 2021.&nbsp;<\/strong>Credit: Salam Mounir Diab<\/figcaption><\/figure><\/div>\n\n\n\n<p>History, identity and politics have always been an integral part of Diab\u2019s art. \u201cIn my MA work, I wanted to write my thesis on how the young people imagine the future Palestinian museum. But then, my adviser told me, \u2018Salam, this is a big project, it\u2019s a national project, and it needs a big budget.\u2019 Basically, he told me: \u2018You\u2019re out of your league.\u2019\u201d<\/p>\n\n\n\n<p><em>Rude!<\/em><\/p>\n\n\n\n<p>\u201cYeah, it was,\u201d he smiles. \u201cI didn\u2019t give up on the idea to take a first step for a future museum or archive, so I told myself, \u2018At least start collecting.\u2019 And I regret not starting sooner. I didn\u2019t have the forethought, or the maturity, or the right mentor. I should have started sooner,\u201d he says, hanging his head for a moment.<\/p>\n\n\n\n<p>\u201cThey call it nation-building. In order to build a nation, we need certain basic elements. This [the archive, the museum] is one of the things that are important to that.\u201d<\/p>\n\n\n\n<p><em>One of your chapters was devoted specifically to politics and the Nakba. How does that fit in with the rest of the book?<\/em><\/p>\n\n\n\n<p>\u201cIt was important to me, as I was researching, to discover the oldest photo I could find. You remember, Golda Meir once said \u2018We arrived in a place without a people\u2019 \u2013 as if there was no right of existence to anyone here, as if it was an empty place. But through the pictures, there\u2019s proof that there were people here. And yes, in Tamra, there were people who lived and worked. Every photo has a story.\u201d<\/p>\n\n\n\n<p>He points to an old photo of a large family: a father, seven sons and two little girls. He explains that it\u2019s a photo of a Tamra family that was living in Haifa. \u201cWhen they took a family photo, they posed with two young Jewish girls, who were their neighbors. And this, essentially, is the oldest photograph. That shows that people, before the war, lived in peace and without violence, without war, in good relations. And in this photo, they\u2019re one family. I don\u2019t like to poeticize things, but this is the truth.\u201d<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"781\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58-1024x781.jpg\" alt=\"\" class=\"wp-image-6506\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58-1024x781.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58-300x229.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58-768x586.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58-16x12.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58-600x458.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.01.58.jpg 1130w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>The Shihadeh Essa Khatib family (Abu Raja) in Haifa, 1920. The photo depicts a family from Tamra, who included their two Jewish neighbors (the two girls) in a family portrait.<\/strong>Credit: Rafi Raja Khatib&#8217;s collection<\/figcaption><\/figure><\/div>\n\n\n\n<p>\u201cThere are people who say that Arabs and Jews were always in conflict \u2013 and that\u2019s not true,\u201d Diab says, adding that the descendants of the families kept in contact until about 15 years ago.<\/p>\n\n\n\n<p>He picks out another photo, of a funeral procession in Tamra for former Egyptian President Gamal Abdel Nasser in 1970. \u201cNo one stayed at home, they all went out into the streets and mourned. Because to them, they were searching for a leader who could lead after the Nakba. After the Nakba the people felt dispersed; the people who remained, they didn\u2019t have many leaders,\u201d he says.<\/p>\n\n\n\n<p>\u201cFor me, as a person and as an artist, it\u2019s part of my identity. What happened influences me until today. Whether I want it or not, the Nakba is still here. But it changes, it comes in variations.\u201d<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"1024\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.10-648x1024.jpg\" alt=\"\" class=\"wp-image-6509\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.10-648x1024.jpg 648w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.10-190x300.jpg 190w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.10-8x12.jpg 8w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.10-600x949.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.10.jpg 506w\" sizes=\"(max-width: 648px) 100vw, 648px\" \/><figcaption><strong>The funeral procession in Tamra for Egyptian President Gamal Abdel Nasser, September 1970.&nbsp;<\/strong>Credit: Rula Nasr Natour&#8217;s collection<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>One small lament<\/strong><\/p>\n\n\n\n<p>Diab often laments that the townspeople never took an interest in preserving Tamra\u2019s history.<\/p>\n\n\n\n<p>\u201cOn one hand, there are things that we are guilty of, the people of Tamra, in regards to the lack of an archive. And on the other, I understand why things are this way. People are more concerned with having enough to eat, with chasing their daily troubles \u2013 because most of the residents weren\u2019t [of that socioeconomic status]. Like I said, most of the people didn\u2019t have cameras. Cameras cost money. Developing photos, in order to document, wasn\u2019t something that was readily available. But I\u2019m also certain that there was a policy of not preserving the memories of Palestinian people in Israel, because it didn\u2019t line up with the Israeli narrative.\u201d<\/p>\n\n\n\n<p><em>There\u2019s an element of power in it, building an archive.<\/em><\/p>\n\n\n\n<p>\u201cExactly. In Ramallah, for example, there is one. In the Palestinian society in the occupied territories, they are concerned with archives and museums. Because there, a city like Ramallah is a city not just because of its size, or the number of people. Rather, it has the characteristics of a city \u2013 urban spaces. It\u2019s more developed than, say, Tamra or Nazareth. Let\u2019s talk about Nazareth, which is one of the biggest cities in Israel. Look at it, there are no big parks or any of those [public spaces]. It was declared a city due to the crowdedness. Are people going to build a museum when they don\u2019t have space to build houses?\u201d<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"639\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18-1024x639.jpg\" alt=\"\" class=\"wp-image-6513\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18-1024x639.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18-300x187.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18-768x480.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18-16x10.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18-600x375.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.18.jpg 1166w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Five generations of a Tamra family.<\/strong>Credit: Fadil Nasour. Osama Abu Al Haij<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Diab is deeply sensitive to issues of narrative and identity. \u201cAs a Palestinian Arab artist in Israel, I have an advantage, because I know both languages. I can see what\u2019s happening both here and there. To see both narratives,\u201d he says.<\/p>\n\n\n\n<p>\u201cI see it as a human issue. I try to look at everything from a humanistic perspective. Each person has enormous value, it doesn\u2019t matter if he\u2019s Jewish or Arab, they have the same value. And they must be equal. But here in Israel it\u2019s not equal, I\u2019m sorry to say. It doesn\u2019t matter if a person is white or Black, what religion. We need to see people as people. Humanity is the primary value in my life. That\u2019s why they call me Salam. Which means \u2018peace.\u2019\u201d<\/p>\n\n\n\n<p>I tell him that I hope his book encourages others to adopt his approach.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27-1024x771.jpg\" alt=\"\" class=\"wp-image-6514\" width=\"1066\" height=\"802\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27-1024x771.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27-300x226.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27-768x578.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27-16x12.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27-600x452.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.27.jpg 1110w\" sizes=\"(max-width: 1066px) 100vw, 1066px\" \/><figcaption><strong>International weightlifting champion Adel Mahmoud Sheikh Ali Kanaan, 1976.<\/strong>Credit: Adel Mahmoud Sheikh Ali Kanaan&#8217;s personal album<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>The next generation<\/strong><\/p>\n\n\n\n<p>Last month, when I arrived in Tamra to interview Diab, large banners bearing images that spanned a hundred years were hung around the Miftan Muftan School \u2013 a beautifully kept building covered in mosaics, atop a hill rising out of Tamra\u2019s industrial zone.<\/p>\n\n\n\n<p>Two teenagers stop to ask me if I\u2019m lost, and walk me to the school. The school serves at-risk teens, teaching them professional skills and affording them professional accreditations. It is the largest of only 14 such schools left in Israel, serving 96 students in the last year, and is the only one with a 100 percent graduation rate.<\/p>\n\n\n\n<p>As Diab prepared to publish the book, he gave a lecture at the school and the students excitedly joined in his efforts. The exhibition at the school includes photos from the book and the students\u2019 own photos.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1024\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36-739x1024.jpg\" alt=\"\" class=\"wp-image-6516\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36-739x1024.jpg 739w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36-216x300.jpg 216w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36-768x1065.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36-9x12.jpg 9w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36-600x832.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.36.jpg 922w\" sizes=\"(max-width: 739px) 100vw, 739px\" \/><figcaption><strong>Tamra resident Mounir Diab photographed while a student in the 1960s.<\/strong><br>Credit: Mounir Diab&#8217;s collection<\/figcaption><\/figure><\/div>\n\n\n\n<p><em>You wrote in the book that many people, mainly young people, aren\u2019t interested in history. And it\u2019s so nice to see the project continuing, particularly led by the younger generation.<\/em><\/p>\n\n\n\n<p>\u201cRight, right. You know, you see people taking pictures constantly, but without the awareness of preservation of the place. So, we tried with this project to encourage and raise awareness about the importance of documentation and preservation and printing photos, and not just keeping them digitally. And even to try and share it in an educated manner \u2013 meaning, with the details: who took it, the location, the date. These are things that are necessary for preservation and documentation of our history and legacy.\u201d<\/p>\n\n\n\n<p>He adds that there are plans for a second volume of the book as residents turn up with more and more photos.<\/p>\n\n\n\n<p>The school\u2019s principal, Abdalla Abu Alhige, takes enormous pride in seeing his students work.<\/p>\n\n\n\n<p>\u201cI always say that these students have abilities, they have talents, and we need to encourage them and let them be artists. That\u2019s what we do in this place; Salam has succeeded in bringing out their strengths. [Seeing the process] from the moment he identified their strong suits and then to see their art up on the walls \u2013 that\u2019s my success. It\u2019s our success that we can reach something like that.\u201d<\/p>\n\n\n\n<p><em>\u201c100 Years of Photography in Tamra\u201d&nbsp;is available to purchase at the Tel Aviv Museum of Art and local bookstores in Tamra. Orders can also be placed with Diab at diabart@gmail.com. The book was created with the support of the Tamra Community Center, the IBDAA Association for Improving Art in Arab Society, Mifal Hapayis Council for the Culture and Arts and others.<\/em><\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1-1024x801.jpg\" alt=\"\" class=\"wp-image-6519\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1-1024x801.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1-300x235.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1-768x601.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1-16x12.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1-600x469.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.43-1.jpg 1158w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Former Tamra residents Anis Qasim Abu Rumi (1925-1977) and Fatima Mahmoud al-Sheikh Diab-Aburumi (1928-1992).<\/strong><br>Credit: From Salam Diab&#8217;s collection<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50-1024x677.jpg\" alt=\"\" class=\"wp-image-6521\" srcset=\"https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50-1024x677.jpg 1024w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50-300x198.jpg 300w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50-768x508.jpg 768w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50-16x12.jpg 16w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50-600x397.jpg 600w, https:\/\/ibdaa-art.com\/wp-content\/uploads\/2021\/07\/Screen-Shot-2021-07-23-at-14.02.50.jpg 1140w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>General view of Tamra from Al-Sniba\u2019h Mount.&nbsp;<\/strong>Credit: Bakr Obaid (Al Shorouk School of Excellence \u2013 Tamra)<\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Click the alert icon to follow topics:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.haaretz.com\/misc\/tags\/TAG-israeli-arabs-1.5598935\" target=\"_blank\" rel=\"noopener\">Israeli Arabs<\/a><\/li><li><a href=\"https:\/\/www.haaretz.com\/misc\/tags\/TAG-jews-and-arabs-1.5599139\" target=\"_blank\" rel=\"noopener\">Jews and Arabs<\/a><\/li><li><a href=\"https:\/\/www.haaretz.com\/misc\/tags\/TAG-nakba-1.5599071\" target=\"_blank\" rel=\"noopener\">Nakba<\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Salam Diab has spent nearly 20 years building an archive for his hometown of Tamra. His recently released book is both a family album and a vision of hope for Jewish-Arab relations Shachar May Get email notification for articles from Shachar MayFollow Jul. 8, 2021 6:52 PM One question has always haunted Salam Mounir Diab: [&hellip;]<\/p>","protected":false},"author":3,"featured_media":6497,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[21],"tags":[],"class_list":["post-6495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-21"],"_links":{"self":[{"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/posts\/6495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/comments?post=6495"}],"version-history":[{"count":0,"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/posts\/6495\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/media\/6497"}],"wp:attachment":[{"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/media?parent=6495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/categories?post=6495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ibdaa-art.com\/he\/wp-json\/wp\/v2\/tags?post=6495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}